Karsh Kale (pronounced Kursh Kah-lay) is widely regarded as a pioneer of global fusion and electronica as his music has inspired and defined the worldwide club phenomenon known as “Asian Massive” or “Asian Underground” in the early part of the decade. Today Karsh's music has travelled far past the underground club scene and has been featured on stages from Lincoln Center to the Burning Man Festival, and from the Barbican Center to the Hollywood Bowl. Karsh’s diverse musical talents — whether as a world-class tabla player/drummer, producer, composer, songwriter, remixer or DJ - have led him to working with some of the world’s leading artists such as Pandit Ravi Shankar, Sting, Zakir Hussain, Herbie Hancock, Lenny Kravitz, Anoushka Shankar, Yoko Ono. Bill Laswell, DJ Spooky, Shujaat Khan, Vijay Iyer, Chaka Khan, Paul Oakenfold and many others. As if his existing list of accomplishments and talents were not enough, Karsh has established himself as a cutting edge film composer in India’s fast paced “Bollywood” film industry while continuing to score independent and crossover films in the West. Kale and his production partners (MPKK) have also recently composed original music for a musical directed by Academy Award nominated director Shekhar Kapur (“Elizabeth: The Golden Age”). In the past ten years, Karsh released 4 critically acclaimed solo albums and has toured the world with various ensembles including Cinema Live, Timeline, Realize Live, Tabla Beat Science (w Zakir Hussain), Breathing Under Water (w/ Anoushka Shankar) and live with the Midival Punditz. Describing the effect of having so many platforms at his disposal, Karsh states, "Having many outlets for my sound has opened up the possibilities of what that sound can actually be for me. I often find myself moving quickly between a live set with my band to composing strings for a film to DJing a dirty dance set to writing an acoustic song within a short period of time. My sound comes from finding inspiration from those moments in between all of that madness.”

Cinema is Karsh's most ambitious album to date. Despite the myriad of influences pulsating through him during the two years it took to produce Cinema, many of the compositions were written on an acoustic guitar or piano — often while Karsh was either on the road, or in a studio. But as the title “Cinema” suggests, the process of scoring films has had as much impact on this album’s sound as Kale's usual palette of progressive electro-rock and fusion influences. “Cinema” is the aggregate of these diverse inspirations, experiences and musical expressions within one cohesive vision.